François Bourassa—now with ten albums of original music under his belt—has become an ambassador for Canada’s thriving jazz community at an international level. A paragon of both consistency and evolution, he continues to seek out new challenges for himself, his colleagues, and his growing community of listeners. On April 9, 2021, Bourassa will finally release his first solo piano album L’Impact du silence, recorded at La Buissonne in the southeast of France.
Bourassa’s talent was initially recognized by the Festival international de jazz de Montréal in 1985, kickstarting his trio’s recording and performing career throughout North America, Europe, and Asia. In 1996, Bourassa’s trio joined forces with André Leroux, a saxophonist and flutist who is equally at home with a contemporary saxophone quartet as with a jazz orchestra as the featured soloist. Bourassa’s eponymous quartet has been a staple of Montreal’s artistic landscape for 25 years. The band features founding bassist Guy Boisvert, longtime saxophonist André Leroux, and Guillaume Pilote as the most recent addition in Bourassa’s mentorship of young drummers. Their 2001 Live album recorded at Toronto’s Top O’ the Senator received a Juno award. In celebration of his compositional output, Bourassa was also the recipient of SOCAN’s Hagood Hardy Award in 2011. Number 9 (2017) chronicles his discography while also providing a subtle namecheck to the Beatles’ psychedelic oeuvre “Revolution #9” and The White Album. One highlight of the album, “Carla und Karlheinz” salutes two more of Bourassa’s guiding influences: Carla Bley (to whom he paid tribute at the Festival international de jazz de Montréal with the Orchestre national de Jazz) and Karlheinz Stockhausen. Number 9 was heralded as one of the best Canadian jazz albums of 2017 (Peter Hum, Ottawa Citizen) and praised by Bley herself and Steve Swallow as a “wondrous piece of work.” Over the past decades, the quartet has garnered multiple Félix and Opus awards for their recordings and live performances, respectively.
Alongside his quartet, Bourassa’s artistic projects included a trio with multi‑instrumentalist Jean Derome and percussionist Pierre Tanguay, both pillars of Quebec’s improvised music community; a collaboration with the prolific Myra Melford, artistic residencies in New York and Paris; and a growing list of orchestral commissions, chamber music works, and ballet scores. Other active collaborations include En Trois Couleurs with fellow pianist/composer Yves Léveillé and percussionist Marie‑Josée Simard for whom he also composed musical works for vibraphone, marimba, and symphony orchestra; the award-winning Re: Bill Evans with legendary bassist Michel Donato, saxophonist Frank Lozano, and Tanguay; various formations with tenor saxophonist Yannick Rieu, and a tribute to Dave Brubeck led by renowned saxophonist and educator Rémi Bolduc.
Born in Montreal in 1959, Bourassa was initially captivated by the electric guitar and the blues rock of Johnny Winter and Jimi Hendrix. Keyboard‑centric progressive rock was the catalyst to return to the piano at the age of 17. Through the gateway of Chick Corea’s Return to Forever, Bourassa worked his way backwards through the jazz tradition. After completing a degree in composition at McGill University, Bourassa pursued a master’s at the New England Conservatory of Music under the tutelage of Fred Hersch and George Russell, among other professors. Bourassa has also spent years as a teacher and clinician (McGill, UQAM, University of Montreal).
Comme tout le monde, nous attendons le
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12 Déc 2021 8:00pm | Rémi Bolduc Jazz Ensemble Théâtre Petit-Champlain Québec, CA. – Noël jazzé avec le Rémi Bolduc Jazz Ensemble (Rémi Bolduc, François Bourassa , Dave Watts , Jim Doxas) |
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11 Déc 2021 8:00pm | Rémi Bolduc Jazz Ensemble Théâtre de la ville Longueuil, CA. – Noël jazzé avec le Rémi Bolduc Jazz Ensemble (Rémi Bolduc, François Bourassa , Dave Watts , Jim Doxas) |
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10 Déc 2021 7:30pm | François Bourassa Quartet Chapelle Historique du Bon Pasteur Montréal, CA. – 25 bougies II |
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09 Déc 2021 7:00pm | François Bourassa Solo Chapelle Historique du Bon Pasteur Montréal, CA. – 25 bougies I |
| 03 Déc 2021 | François Bourassa Solo La Créole Jazz Club Gosier, GP. Annulé-Cancelled – Double Programme avec / with: L’Auguste Quartet |
| 02 Déc 2021 | François Bourassa Solo La Créole Jazz Club Gosier, GP. Annulé-Cancelled – Double Programme avec / with: François Bourassa & Jean-Michel Lesdel |
| 02 Déc 2021 | François Bourassa & Jean-Michel Lesdel La Créole Jazz Club Gosier, GP. Annulé-Cancelled – Double Programme avec / with: François Bourassa Solo |
| 01 Déc 2021 | François Bourassa & Jean-Michel Lesdel École de musique municipale du Lamentin Lamentin, GP. Annulé-Cancelled – MASTERCLASS |
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28 Nov 2021 6:00pm | François Bourassa Solo Pan Piper Paris, FR. – Double Programme avec / with: L’Auguste Quartet |
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19 Nov 2021 4:00pm | François Bourassa Solo Musicora – La Seine Musicale Boulogne-Billancourt, FR. – Dans le cadre des concerts Couleurs Jazz |
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08 Oct 2021 8:00pm | François Bourassa Solo L’OFF JAZZ FESTIVAL Montréal, CA. – Salle Claude-Léveillée – Place des Arts |
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23 Sep 2021 8:00pm | En Trois Couleurs (avec Yves Léveillé et Marie-Josée Simard) Odyssée artistique Les Bergeronnes, Québec CA. – Église Notre-Dame-De-Bon-Désir |
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21 Sep 2021 5:00pm | En Trois Couleurs (avec Yves Léveillé et Marie-Josée Simard) Centre des Arts Baie-Comeau, CA. |
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16 Sep 2021 5:30pm | François Bourassa Quartet Festival International de Jazz de Montréal Montréal, CA. – TD Stage – Place des Festivals |
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05 Sep 2021 8:00pm | Projet Re: Bill Evans Festi Jazz International Rimouski Rimouski, CA. |
| 11 Août 2021 | François Bourassa & Samuel Blais Les Midis Aramusique Repentigny, CA. – Sous le préau devant le bassin du Centre d’art Diane-Dufresne |
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24 Juil 2021 7:00pm | Jim Doxas Quartet Upstairs Jazz Montréal, CA. – 2 SHOWS: 7PM ($15+TX) & 9:30PM ($15+TX) |
| 22 Juil 2021 | François Bourassa Quartet Diese Onze Montreal, Québec CA. |
Some dates have been rescheduled.
2018 / Nomination aux Prix Opus 2017-18 – Concert de l’année – Jazz
2018 / Nomination aux Prix Opus saison 2017-18 – Album de l’année – Jazz
2018 / Nomination au Gala ADISQ 2018 – Album de l’année – Jazz
2016 / Récipiendaire aux prix Opus pour Disque de l’Année – JazzZ avec la formation En Trois Couleurs
2015 / Récipiendaire d’une bourse du CALQ –résidence de six mois au studio du Québec à Paris (janv-juin)
2014 / Gagnant d’un Prix Opus pour Concert de l’année Jazz avec la formation En Trois Couleurs
2013 / Nomination aux Prix Opus pour Concert de l’Année Musique du Monde avec la formation Cordâme
2012 / Gagnant d’un Prix Opus Disque de l’année jazz pour le disque Autour de Bill Evans avec Michel Donato, Frank Lozano et Pierre Tanguay; 2 nominations à l’ADISQ: catégorie jazz création pour l’album : Idiosyncrasie et catégorie jazz interprétation pour Autour de Bill Evans : Donato Bourassa Lozano Tanguay
2011 / Prix Hagood Hardy de la SOCAN; (musique instrumental); nomination JUNO pour Idiosyncrasie
2010 / Prix André-Gagnon de la Fondation SPACQ, catégorie compositeur de musique instrumentale de l’année
2008-09 / Prix OPUS (CQM), Jazz Musiques du monde Rasstones disque de l’année; nomination JUNO, pour Rasstones; nomination FELIX pour Rasstones
2007 / Prix Oscar Peterson au Festival International de Jazz de Montréal; Récipiendaire d’une bourse du CALQ – volet recherche et création : développement de compétences en orchestration et création d’un concerto pour vibraphone, marimba et orchestre symphonique
2005 / Récipiendaire d’une bourse du CALQ –résidence de six mois au studio du Québec à New-York; Gagnant du prix FELIX – meilleur album de l’année pour Indefinite Time
2004 / Gagnant de trois prix OPUS
2003 / Spectacle de l’année jazz et musiques du monde 2003 /album jazz de l’année– Nomination au prix JUNO pour Indefinite Time; Outstanding Contribution to Jazz Education à la conférence de l’International Association of Jazz Educators, Toronto
2002 / Prix JUNO (Contemporary jazz recording) et Prix OPUS (disque jazz de l’année) pour Live
2000 / Outstanding Contribution to Jazz Education à la conférence de l’International Association of Jazz Educators, New Orleans, États-Unis
1999 / Nomination au prix JUNO (Best composer), et nomination au prix FELIX (meilleur artiste jazz)
1995-2000 / Récipiendaire de bourses du CALQ pour l’écriture musicale
1994 / Porte-parole du Concours de jazz Du Maurier Ltée pour le Festival International de Jazz de Montréal
1988 / Messe Jazz commandée en 1988 par les Pères Dominicains et présentée depuis, tous les ans, dans le cadre du Festival International de Jazz de Montréal
1987 / Academic Honours et Distinction in Performance. Parmi les quatre premiers finissants au New England Conservatory, Boston, États-Unis
1986 / Mise en nomination du microsillon Reflet 1 pour l’obtention d’un Félix au Gala de l’ADISQ; Reflet 1 premier album du Trio François Bourassa, microsillon enregistré et lancé par la Société Radio-Canada
1985-87 / Bourses d’Études du New England Conservatory, Boston, MA; Prix du concours Bose du Festival International de Jazz de Montréal
1983 / Quatre pièces de musique contemporaine pour violon et piano interprétées par A. Bronstein et A. Lanza et diffusées à Radio Canada; trois pièces jouées aux Concerts McGill par le Contemporary Music Ensemble; musique pour trio jazz, quatuor à cordes et voix; Bon printemps oeuvre pour orchestre à cordes, commandée par l’Ensemble Amati; Ballet et Pas-de-Deux commandés par les Ballets jazz de Montréal; Notes, deux pièces de musique électronique, dix pièces de musique classique
1982-présent / Bourses du Conseil des Arts du Canada, projets variés
DownloadsDownload the poster (18 x 24 PDF)
François Bourassa is one of the leading artists on the Canadian jazz scene. An Oscar Peterson Award winner at the Festival International de Jazz de Montréal (2007), he has also won recognition from the public here and abroad, thanks to creative, inspired and sensitive compositions. Funky or contemplative, François Bourassa’s music is also that of its excellent musicians and longtime friends, for whom his music is “tailored”. The complicity between them on stage gives a unique concert atmosphere. » What amazes (me) is how well the musicians understand the language of their leader » (Le Soleil). Virtuosity, synergy, audacity, but also humour and love of music – a jazz meeting not to be missed!
Composer/pianist François Bourassa, 2007 Oscar Peterson Prize recipient (Montréal International Jazz Festival) leads one of Canada’s most successful jazz ensembles with André Leroux (sax), Guy Boisvert (bass), and Philippe Melanson (drums). The quartet’s recording, Idiosyncrasie (Effendi) – the latest in a catalogue of critically-acclaimed CDs – has received a JUNO Award nomination (Canada) for Contemporary Jazz Album of the Year. Rasstones, released in 2007, won the OPUS (Québec) award. A previous recording, Live at the Top of the Senator, won Canada’s highest recording honour, the JUNO, and his Indefinite Time garnered him a FÉLIX, Quebec’s equivalent to the Grammy. Numerous tours have taken him all over the world, from festivals and concerts in Europe, to the US and Canada, Russia, India, China, Korea, Japan and Mexico, where he has performed in such prestigious events as the North Sea, Cork, and Paris Jazz Festivals; Dizzy’s Club at Jazz at Lincoln Center in New York City; and twice at the International Association of Jazz Educators’ conference (in New Orleans and Toronto). Francçois Bourassa has appeared onstage with many of the greats of jazz, including Wayne Shorter, Dave Brubeck and Dizzy Gillespie. « A pianist and composer of high stature in his native Montréal, Mr. Bourassa favors avant-gardism of a liquid and often lyrical sort. » – Nate Chinen, New York Times
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Photos : ©2017 Mathieu Rivard
